Widely known for his television persona, Beyazıt Öztürk brings into view his sculptural practice—long sustained in the background—this time within a public and familiar setting. Presented under the umbrella of İGA ART at İGA Istanbul Airport, the exhibition “Things” traces memory, time,
With this issue, we turn toward memory—the fragile, persistent light that keeps stories alive long after they have been told. Because every magazine, at its best, is also a museum: a place where what we have loved, questioned, and believed in waits
We spoke with director Zeynep Günay and Orhan Pamuk about Netflix’s The Museum of Innocence, a timeless adaptation that feels as if it unfolds inside the book.
We began this issue with a question: What is happening in the Arabian Peninsula? But from the very beginning, it was necessary to acknowledge this: this question does not describe a geography on its own. It asks how the cultural center is
The first decade of Autoban, defined by a journey “from local intuition to a universal language,” played a transformative role in Istanbul’s cultural landscape; the second saw the practice evolve into an international structure.
Ryan Gander: "No, I don't want this Instagram nonsense. I don't want these bright, loud, glittering giant sculptures. I don't want glittery unicorn paintings. I want to see a work of art, spend a long time with it, and establish a deep
As we approach the end of 2025, the world, art, and humanity are still revolving around the same question: Amidst all this noise, speed, and information, what can we really pay attention to?
Semra Russell’s pop-up exhibition Once Bitten Twice Shy at Muse Contemporary Gallery in Istanbul features works from her Swimming in Stars series.
September is not just the start of the calendar for Istanbul; it is the beating heart of culture and art, which is picking up speed once again. In this issue, we explore the three main axes that set the city’s rhythm: the
Emin Çizenel, born in 1949 and educated at the Istanbul Academy of Fine Arts, occupies an exceptionally unique place with his life story.
We talked with Erbil Arkın about why he wanted to “live art rather than make it,” why he founded ARUCAD, his Rodin collection, Asil Köylü, the joy and excitement he felt when he first came to Cyprus from England at the age
Cyprus, known as the “Babyland” but in recent years associated with mafia figures, has become synonymous with casinos and money laundering. In this issue, we have compiled topics that caught our attention in Cyprus and are truly worthy of discussion.
