Emin Çizenel, born in 1949 and educated at the Istanbul Academy of Fine Arts, occupies an exceptionally unique place with his life story.
We talked with Erbil Arkın about why he wanted to “live art rather than make it,” why he founded ARUCAD, his Rodin collection, Asil Köylü, the joy and excitement he felt when he first came to Cyprus from England at the age
Cyprus, known as the “Babyland” but in recent years associated with mafia figures, has become synonymous with casinos and money laundering. In this issue, we have compiled topics that caught our attention in Cyprus and are truly worthy of discussion.
Our cover story is based on a conversation between a human and AI. It is a striking profound exchange of ideas between a human being and AI; strange and gripping. The level of intelligence displayed by both parties almost mesmerizes the reader.
The rising cost of living, the deepening economic crisis, the diminishing trust in justice, the corruption of the social fabric, and the pressures on the media… We have left another year behind in the shadow of all these challenges. So, where is
We talked with Fulya Sade, the wife and companion of the late founder Faruk Sade, and their daughter Sera Sade, who now manages the gallery as a second-generation owner. Together, we delved into the history and story of Siyah Beyaz Art Gallery.
Nihat Özdal has made significant contributions to arts and culture scene over the years through his books, exhibitions and cultural events. Unlike others, he avoids self-promotion and instead focuses on the value added by every task he undertakes. Özdal, who was born in Halfeti,
Commagene Lar, Land and Art Biennial opened in Adıyaman’s Kahta district on Sept. 23. Curated by Nihat Özdal, the biennial showcases artworks of 13 artists, Shirin Abedinarad, Vahap Avşar, Murat Cem Baytok, Anna Laura Cantera, Yalda Jamali, Odmaa Uranchimeg, Cengiz Tekin, Mariko
Tabanlioğlu Architects are engaged in the restoration of the historic 15th Century Haliç Tersanesi (Golden Horn shipyard) The project regenerates a former industrial area of coastline to create a new cultural destination for the city, with hotels, housing, offices and leisure alongside
Designed by Tabanlioğlu Architects, the Ataturk Cultural Center (AKM) will mainly serve as an opera house, but the center will also have venues ranging from cinema and theater to exhibition halls, cafes and restaurants. Located in the main square of the city,
During the first half of the 2000’s, Istanbul was an attractive center for the arts. But then, the agenda shifted. Where do you think Istanbul stands right now? What is your vision of Istanbul’s future? The answer to your question would be