The exhibition, titled “Ben Bu,” which has opened its doors at CerModern, makes visible the artist’s inner dialogue with his own existence while also inviting the viewer to reflect on identity, memory, and time.
Historian and writer Prof. Dr. İlber Ortaylı, who had been receiving treatment in intensive care for some time, passed away at the age of 78. Türkiye has lost not only a historian, but also an intellectual who knew how to speak with
Ani Çelik Arevyan will meet audiences in Ankara with her comprehensive retrospective exhibition Işığın Sesi / The Sound of Light, on view at CerModern from 7 March to 26 April 2026.
Pera Museum presents its new exhibition, By the Water: The Life and Art of Halil Paşa, a multi-layered visual and historical narrative focusing on the life and artistic production of Halil Paşa, a figure who played a decisive role in the transformation of
With this issue, we turn toward memory—the fragile, persistent light that keeps stories alive long after they have been told. Because every magazine, at its best, is also a museum: a place where what we have loved, questioned, and believed in waits
In Orhan Pamuk’s The Museum of Innocence, memory is constructed not through words but through objects that are touched, kept, and taken from their places.
In the new Netflix series The Museum of Innocence, adapted from the novel of the same name by Orhan Pamuk, the camera proposes a distanced gaze that moves closer to the characters’ states of mind rather than constructing a nostalgic period aesthetic.
The series treats space not as a backdrop but as a vessel of memory, obsession, and time; objects are not displayed, they accumulate as fragments of meaning.
We spoke with director Zeynep Günay and Orhan Pamuk about Netflix’s The Museum of Innocence, a timeless adaptation that feels as if it unfolds inside the book.
The renowned artist will present a seven-by-ten-metre window installation at Turner Contemporary as part of the gallery’s 15th anniversary celebrations, transforming its iconic seafront façade with a glowing sunrise scene.
Adapted from Maggie O’Farrell’s Hamnet and directed by Chloé Zhao, the film—nominated for eight Academy Awards—brings together motherhood, loss, and the transformative power of art through a poetic cinematic language, starting from Agnes’s grief.
Ka: Space for Visual Culture & Artistic Thinking is hosting the first solo exhibition of Gülnihal Kalfa. In her debut solo show, 'Flowering Absence' inspired by Blue Flower Romanticism, the artist brings together fragments from her own life alongside introspective openings into