In conversation with Sebnem Kirmaci, Al Khalifa discusses the relationship between painting and sculpture, the influence of Bahraini architectural traditions, the role of light, colour and movement, and the responsibilities of building a sustainable art ecosystem in the Gulf.
Bilgen Coşkun and Dilek Öztürk spoke with St. Moritz Art Film Festival's Managing Director Diana Segantini.
The very first thing you encounter in CONCENTRATE is not an artwork, but rather a smell. The sharp scent of car paint, aluminium and solvent fills the gallery and spills outside. This sensory detail perfectly captures what Tom Fellows’ exhibition does best:
With this issue, we turn toward memory—the fragile, persistent light that keeps stories alive long after they have been told. Because every magazine, at its best, is also a museum: a place where what we have loved, questioned, and believed in waits
In Orhan Pamuk’s The Museum of Innocence, memory is constructed not through words but through objects that are touched, kept, and taken from their places.
In the new Netflix series The Museum of Innocence, adapted from the novel of the same name by Orhan Pamuk, the camera proposes a distanced gaze that moves closer to the characters’ states of mind rather than constructing a nostalgic period aesthetic.
The series treats space not as a backdrop but as a vessel of memory, obsession, and time; objects are not displayed, they accumulate as fragments of meaning.
We spoke with director Zeynep Günay and Orhan Pamuk about Netflix’s The Museum of Innocence, a timeless adaptation that feels as if it unfolds inside the book.
The story of DOT is less about the onstage presence of a theatre company than about the relationship it has forged with Istanbul’s changing face. The pursuit of independence, the loss of spaces, aesthetic boldness and the struggle for survival reveal how
Cities that fell silent after the pandemic, the re-blooming of nature, and the resurgence of hope in our lives have profoundly influenced artists’ work. The exhibition “Merging Waters, Sprouting Hopes,” which explores these themes, will be on display at Hope Alkazar on
The 18th Istanbul Biennial will showcase the work of nearly 50 artists from over 30 countries across eight venues. Curated by Christine Tohmé and shaped around the concept of the "three-legged cat," the Biennial spans three years.
The “Staged” exhibition at Arkas Art Alaçatı brings together 86 works by 35 artists who look at the climate crisis from different angles, selected by curator Billur Tansel.
