Jan Van Eyck Lucca Madonna, ca. 1437. Courtesy Städel Museum.

Louvre Hosts Van Eyck’s Blockbuster Show

Louvre Museum welcomes Dutch Master Van Eyck's biggest show ever to be staged in France.

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Art enthusiasts and historians alike eagerly anticipate a landmark exhibition at the Louvre in Paris, celebrating the profound legacy of Jan van Eyck, the esteemed Flemish master of the Northern Renaissance. From March 20 to June 17, 2024, the prestigious museum will host a comprehensive showcase titled “Meeting with a Masterpiece: The Virgin by Chancellor Rolin,” promising an unparalleled display of Van Eyck’s oeuvre, marking the largest collection of his works ever assembled in France.

Van Eyck’s indelible imprint on European art is undeniable, with his pioneering mastery of oil painting techniques fundamentally reshaping the trajectory of Western art history. Renowned for his ability to imbue his compositions with unprecedented realism and luminosity, Van Eyck’s revolutionary method of glazing, involving the application of multiple translucent layers of oil paint, bestowed his works with unparalleled depth, richness of color, and nuanced light and shadow effects. His painstaking attention to detail, from the intricate textures of fabrics to the meticulously rendered landscapes, breathed life into his canvases, setting new standards for artistic excellence.

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Jan Van Eyck, The Virgin of Chancellor Rolin (ca. 1435) before restoration. Musée du Louvre, dist RMT – Grand Palais, Angèle Dequier.

Among Van Eyck’s illustrious commissions was the iconic portrait of Isabella of Portugal, while his enigmatic masterpiece, “The Arnolfini Portrait” (1434), continues to captivate audiences with its myriad interpretations and symbolic nuances, including the enigmatic figure within the convex mirror’s reflection.

Central to the forthcoming exhibition at the Louvre is the meticulously restored rendition of “The Virgin of Chancellor Rolin,” completed circa 1435. Following extensive historic restoration, which entailed the removal of centuries-old oxidized varnish, the painting now reveals its underlying layers in all their splendor. Accompanying this masterpiece are six other seminal works by Van Eyck, including “The Lucca Madonna” (ca. 1437) from the Städel Museum, offering visitors a rare opportunity to trace the artist’s evolution and explore his interactions with contemporaries such as Rogier van der Weyden and Robert Campin.

With its unprecedented breadth and depth, the Jan van Eyck exhibition at the Louvre promises to be a seminal event, inviting audiences to embark on a transcendent journey through the unparalleled genius of one of art history’s most revered masters.

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