Pera Film’s "I’m Here!" program, running December 1–11, 2024, presents "Red Reminds Me…", a powerful video series reimagining the emotional and symbolic narratives of living with HIV.
The obsession with selfies causes yet another casualty in a museum setting—this time at one of Europe’s most iconic institutions.
As hostilities escalate between Iran and Israel, cultural institutions in both countries have begun implementing emergency measures to safeguard their national treasures, underscoring the vulnerability of art in times of war.
Activist group cites “no art on a dead planet” as motive behind the protest
With its new series Endless Day, launched on the longest day of the year, Hara offers a space of experience that celebrates nature’s cycles, rituals, and creative practices.
Seçkin Pirim’s exhibition Timed Untimed has opened at Baksı Museum, uniquely situated in nature in Bayburt. As part of the opening program, the second edition of the “Conversations on Running Water” event took place on the Çoruh River.
With a new body of work created during her residency at Cité Internationale des Arts in Paris, Yaz Taşçı meets the audience at OG Gallery with Dark Flowers, her first solo exhibition in Türkiye
Barbara Kruger’s art has long revolved around repetition—of form, language, and meaning. Throughout her career, she has produced bold, text-driven works that expose the often-invisible mechanisms of power embedded in media and culture. Time and again, she has revisited these earlier pieces,
“Landscapes of the Mind” at Istanbul Modern Photography Gallery focuses on works revealing the writer’s mind through the metaphor of landscape painting by Ali Kazma (b. 1971), one of today’s leading lens-based artists, whose practice explores fundamental questions about the meaning of
Yapıkredi Arts and culture hosts Fulya Çetin and İlhan Sayın’s exhibition. The second edition of the exhibition series Together focuses on two Istanbulite artists of the same generation, who have been active since the 1990s: Fulya Çetin and İlhan Sayın. Presenting urban
What is architecture today: merely a tool for form and aesthetics, or a vehicle for public life, social justice, and human relationships? In essence, our fundamental question is: what is architecture building today? Is it merely aesthetic forms and flashy facades, or
Nobel Prize in Literature winner Annie Ernaux made a powerful statement about the situation in Gaza on June 4, 2025, on the French television program “La Grande Librairie” in the segment “Droit dans les yeux.” Describing the violence in Gaza as genocide,
The FBI recently recovered two paintings stolen from the University of New Mexico’s Harwood Museum of Art in Taos four decades ago. Victor Higgins’s oil painting Aspens (c. 1932) and Joseph Henry Sharp’s portrait Oklahoma Cheyenne aka Indian Boy in Full Dress (c. 1915) were