The series treats space not as a backdrop but as a vessel of memory, obsession, and time; objects are not displayed, they accumulate as fragments of meaning.
In the new Netflix series The Museum of Innocence, adapted from the novel of the same name by Orhan Pamuk, the camera proposes a distanced gaze that moves closer to the characters’ states of mind rather than constructing a nostalgic period aesthetic.
We spoke with director Zeynep Günay and Orhan Pamuk about Netflix’s The Museum of Innocence, a timeless adaptation that feels as if it unfolds inside the book.