Camila Rocha’s “Samambaia Issues” by Seyhan Musaoglu Camila Rocha’s latest exhibition, “Samambaia Issues,” at Öktem Aykut started on May 25th and continues until July 20th, presents a deeply immersive exploration of ferns, one of the most ancient plant species on Earth.
This show marks Rocha’s return to Istanbul after five years and exemplifies her dedication to botanical art. Through a combination of scientific, artistic, and architectural perspectives, Rocha delivers a multifaceted homage to the fern, capturing its essence and evolutionary resilience. One of the most striking aspects of Rocha’s exhibition is her masterful use of color, reminiscent of a sunset in perpetual flux. The color scheme unfolds gradually across the gallery, with each small canvas contributing to a larger, cohesive narrative.
Rocha’s application of color is subtle and nuanced, evoking a distinctly feminine touch that permeates the space. The delicate transition from redish pnik hues to brown to purple to green, mirrors the fern’s growth stages, infusing the artwork with a sense of organic transformation. A highlight of the exhibition is the paper vine sculpture, an impressive testament to Rocha’s skillful color usage and meticulous attention to detail. Upon closer inspection, the sculpture reveals layers of complexity, inviting viewers to appreciate the intricacies of her craftsmanship. This interplay of texture and color underscores Rocha’s profound understanding of peinture, offering a plant symphony of sorts that is both carefully orchestrated and visually captivating. However, despite these strengths, the exhibition presents certain limitations. Rocha’s decision to scatter small canvases throughout the gallery, while creating an intimate experience, might have benefited from a bolder approach. Larger canvases, magnifying specific plant studies, could have provided a more immersive and impactful experience. The juxtaposition of small and large formats might have emphasized the fern’s intricate beauty and expansive presence, creating a more dynamic interaction with the vine sculpture.
Additionally, the collaboration with botanist Anderson Santos and architect Aslıhan Demirtaş yields a compelling installation, “On the Fernable,” which blends scientific rigor with artistic sensibility. The detailed consideration of unique objects within this installation highlights the exhibition’s dual nature. It oscillates between an analytical museum display and a sentimental exploration of the artist’s inner world. This duality, while enriching the exhibition, sometimes creates a sense of indecision about its primary focus. The attempt to balance scientific analysis and emotional expression succeeds in parts but occasionally feels conflicted.
Moreover, there are moments when the exhibition veers towards trendy decor, which, while visually appealing, detracts from its deeper thematic exploration. These decorative elements, placed in corners, risk undermining the exhibition’s serious artistic inquiry, reducing it to a mere aesthetic experience. Camila Rocha’s “Samambaia Issues” is a testament to her artistic vision and botanical fascination. The exhibition’s strength lies in its meticulous use of color, subtle textures, and the thoughtful integration of scientific and artistic elements. While the decision to employ small canvases and decorative aspects introduces some limitations, the overall presentation remains a compelling and nuanced exploration of the fern’s enigmatic beauty. Rocha’s work invites viewers to engage with the delicate interplay of form, color, and texture, ultimately offering a richly layered botanical experience.
