What does it mean to be “independent” in art? Does an independent art initiative have a relationship with capital, and if so, how should that relationship be structured? Do initiatives—through the space they open up for solidarity, collaboration, and creativity—stand at the
We spoke with Yahşi Baraz, who says, “Being able to say, ‘Come, let’s have a cup of tea at our museum,’ can outshine even the wealthiest businessperson.
The Gulf region is rapidly rising as one of the multicultural and dynamic centers of contemporary art. With mega museum projects, a succession of newly opening galleries, exhibitions, and international art fairs, the attention of the global art world has long been
Hale Tenger’s exhibition Hale Tenger / Borders / Borders, on view at The Art Gallery of Western Australia (AGWA) until February 8, brings together works produced over more than thirty years. We spoke with Tenger about this comprehensive exhibition, curated by Rachel
The devastation in Gaza threatens not only every aspect of daily life, but also art and cultural heritage.
Gulf countries are placing art at the center of diplomacy and economic transformation in the post-oil era, with museums and mega-projects increasingly entangled in debates around art-washing.
News that Israel will participate in the 2026 Venice Biennale has sparked a new crisis following the closure of the pavilion during the 2024 edition due to protests. While artist Belu Simion Fainaru announced that his work will be exhibited at the
İstanbul Modern is set to host a comprehensive exhibition bringing together more than 200 works by Semiha Berksoy, spanning over seven decades of production that moves fluidly from the performing arts to visual expression.
The 12th edition of Mamut Art Project presents a selection of works by 33 emerging artists at Yapı Kredi bomontiada from 10–14 December.
Irish author Sally Rooney stated that, due to her support for Palestine Action in the United Kingdom, not only could her existing books be withdrawn from sale, but publishing any new work there has become almost impossible.
Ryan Gander: "No, I don't want this Instagram nonsense. I don't want these bright, loud, glittering giant sculptures. I don't want glittery unicorn paintings. I want to see a work of art, spend a long time with it, and establish a deep
Bringing together a personal story and collective memory, Between Two Voids made its world premiere at the 41st Warsaw International Film Festival, held October 10–19, 2025.
