The very first thing you encounter in CONCENTRATE is not an artwork, but rather a smell. The sharp scent of car paint, aluminium and solvent fills the gallery and spills outside. This sensory detail perfectly captures what Tom Fellows’ exhibition does best:
The story of DOT is less about the onstage presence of a theatre company than about the relationship it has forged with Istanbul’s changing face. The pursuit of independence, the loss of spaces, aesthetic boldness and the struggle for survival reveal how
