In Orhan Pamuk’s The Museum of Innocence, memory is constructed not through words but through objects that are touched, kept, and taken from their places.
The series treats space not as a backdrop but as a vessel of memory, obsession, and time; objects are not displayed, they accumulate as fragments of meaning.
We spoke with director Zeynep Günay and Orhan Pamuk about Netflix’s The Museum of Innocence, a timeless adaptation that feels as if it unfolds inside the book.