With the two-person exhibition Ruptures and Rhythm, Dirimart London brings together selected works by Seçkin Pirim and Jorinde Voigt, opening up a strong field of dialogue between the two artists’ distinct paper-based practices. Focusing on the transitions between manual and digital processes, order and disruption, chaos and harmony, the exhibition makes visible the transformation of individual experience into complex visual systems.
Sculptural Architectures Constructed on Paper
Seçkin Pirim’s paper-cut sculptures evolve through deliberate interventions into repetitive gestures, transforming symmetrical layers into sculptural and architectural forms. In the Grey Columns and Thorn Garden series, the artist reinterprets the columnar forms of ancient architecture through contemporary digital interventions, while in Perspective he expands this inquiry through a current digital aesthetic. Although digitally conceived, Pirim’s works—constructed layer by layer from paper surfaces—bear the tangible traces of intensive manual labor.
