The restoration of the Selimiye Mosque, Mimar Sinan’s masterpiece, has shifted from a scientific conservation project into an ideological confrontation.
Emin Çizenel’s Unregistered Teams exhibition brings to light the “unregistered” stories of the past by intertwining individual and collective memory.
Dancer and choreographer Mihran Tomasyan has been creating space for collective production for 22 years with Çıplak Ayaklar Kumpanyası. We spoke with Mihran Tomasyan about the current conditions of dance, transformation that begins with the body, and Istanbul’s chaotic yet deeply creative
Through Kayar’s perspective, the street unfolds not only as a site of expression but also as a shifting terrain shaped by visibility, resistance, and collective experience.
The first decade of Autoban, defined by a journey “from local intuition to a universal language,” played a transformative role in Istanbul’s cultural landscape; the second saw the practice evolve into an international structure.
Co-created by humans and AI, ZERO discovers the connection between coherence and poetic expression, and for the first time learns to turn inward and reflect upon itself.
Drawing from the surreal atmosphere of İkinci Yeni, and in what Onur Ünlü calls a “fantastical yarn,” the film A Son of the Sun is now moving from cinema to the theatre stage.
Ryan Gander: "No, I don't want this Instagram nonsense. I don't want these bright, loud, glittering giant sculptures. I don't want glittery unicorn paintings. I want to see a work of art, spend a long time with it, and establish a deep
The exhibition MAYA brings together works produced in Mardin as part of an Artist-in-Residence Program, making visible a creative collaboration rooted in the city’s memory; we spoke with curator Ebru Nalan Sülün and participating artists about this process.
As we approach the end of 2025, the world, art, and humanity are still revolving around the same question: Amidst all this noise, speed, and information, what can we really pay attention to?