Nobel Prize–winning author Orhan Pamuk’s acclaimed novel The Museum of Innocence, woven around time accumulated in the memory of a love and its lost objects, is being adapted for the screen via the digital platform Netflix. The nine-episode series adaptation will premiere
In his article for The Guardian, Orhan Pamuk interprets Ekrem İmamoğlu’s arrest as a sign of Turkey’s democratic decline. He highlights the ongoing resistance of the people in the face of increasing pressures and restrictions. Earlier this month, Ekrem İmamoğlu, the Mayor
The third installment of the ‘Orhan Pamuk: The Comfort of Objects’ exhibition opened this Wednesday at the DOX Modern Art Museum in Prague, where it welcomed Czech visitors. The exhibition, which will run until April 6, includes a wide array of works,
The opera “Ja, Şeküre”, adapted from the novel “My Name is Red” by Nobel Prize-winning author Orhan Pamuk in 1998, met with the audience at the Poznań Malta Festival on September 7. The play “Ja, Şeküre” (I, Şeküre), produced by the Polish
Lenbahchaus Museum is exhibiting Orhan Pamuk’s artworks, archives, sketches, illustrations, and notebooks in The Consolation of Objects, which starts on May 17 and continues through October 13. Pamuk is presenting his multifaceted creative output as a writer, photographer, graphic artist, curator, museum
In collaboration with Orhan Pamuk, the Dresden State Art Collections (SKD) are opening the exhibition “Orhan Pamuk: The Consolation of Objects” in the Semper-Kabinett of the Gemäldegalerie Alte Meister. At the same time, the presentation marks the start of a multi-year programme
In Orhan Pamuk’s The Museum of Innocence, memory is constructed not through words but through objects that are touched, kept, and taken from their places.
In the new Netflix series The Museum of Innocence, adapted from the novel of the same name by Orhan Pamuk, the camera proposes a distanced gaze that moves closer to the characters’ states of mind rather than constructing a nostalgic period aesthetic.
We spoke with director Zeynep Günay and Orhan Pamuk about Netflix’s The Museum of Innocence, a timeless adaptation that feels as if it unfolds inside the book.
Prepared by Nobel Prize–winning author Orhan Pamuk as the catalogue for The Museum of Innocence, Şeylerin Masumiyeti (The Innocence of Objects) meets international readers in its English edition with the addition of six new display cases.
Widely known for his television persona, Beyazıt Öztürk brings into view his sculptural practice—long sustained in the background—this time within a public and familiar setting. Presented under the umbrella of İGA ART at İGA Istanbul Airport, the exhibition “Things” traces memory, time,
Vasıf Kortun’s curatorial and intellectual journey spanning nearly forty years comes together in the book “How Did We Get Here: Reading Vasıf Kortun,” consisting of a river conversation conducted by Sezin Romi; published by Salt and Robinson Crusoe 389, the book makes
