Installation views: Frieze London 2022, 12–16 October 2022. Photography: Mark Blower. Courtesy the artist and Pilar Corrias, London. Source: Instagram / @pillarcorriasgallery

Frieze London 2022 Highlights

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Anthea Hamilton at Thomas Dane Gallery

Booth E5

Thomas Dane Gallery presenting Anthea Hamilton’s pumpkins, Frieze 2022, London. Photo: Linda Nylind.
  • Curated by Anthea Hamilton, the booth stood out with the artists’ eye-catching large-scale bold pumpkin sculptures and the plaid-patterned flooring creating a picnic-like environment.
  • Won the 2022 Frieze Stand Prize

Harminder Judge at The Sunday Painter

Booth B7

Harminder Judge.Untitled (limb over fragments ascending) 2022. Source: Instagram / @thesundaypainter
  • The Sunday Painter curates a solo booth presenting three new works by London-based artist Harminder Judge.
  • His works are formed over a long and precise process of layering pigments into puddles of soaked plaster and excavating the surface; sanding, polishing and oiling

Marina Xenofontos at Hot Wheels Athens

Booth H1

Marina Xenofontos, Twice upon a while, 2020. MDF wood, metal, mirror, 154 x 140 x 206 cm.
Courtesy of the artist and Hot Wheels, Athens
  • Winner of the 2022 Camden Art Centre Emerging Artist Prize – will have a solo show at Camden Arts Centre in 2023.
  • Marina Xenofontos’ (1988) solo presentation was selected among 35 galleries belonging to Frieze’s Focus section featuring younger galleries and emerging artists.

Robert Rauschenberg at Thaddaeus Ropac

Booth B04

Robert Rauschenberg, Bird Watch, 1988, Silkscreen ink on bronze and copper, 92.4 x 236 x 2.7 cm.
  • Gallery founded by Austrian dealer Thaddaeus Ropac sold Robert Rauchenberg’s work for $1.8 million
  • A metal collage depicting wildlife imagery was inspired by the copper mines the artist visited in Chile in 1984 as part of a cultural exchange programme founded in his name.

Jadé Fadojutimi at Gagosian

Booth E7

Jadé Fadojutimi, Untitled, 2022, acrylic, oil, and oil pastel on canvas. 200 × 300 cm. Photo : ©Jadé Fadojutimi/Photo Mark Blower/Courtesy Gagosian
  •  The 29-year-old British artist Fadojutimi joined Gagosian back in July and was the solo exhibitor in the gallery’s booth.
  • Untitled, 2020 was sold for £500,000 – lower than her auction record of £640,000 she achieved at the Phillips’ 20th Century & Contemporary Auction in 2021
  • Her large-scale multicoloured landscape paintings explore the complexity of identity and beauty
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GRIMM Gallery

Booth G06

Daniel Richter, barbarischer Frühling, 2022, Oil on canvas, 230 x 170 cm. Source: grimmgallery.com
  • New figurative work by the German abstract expressionist sold for £290,000 – one of the highest prices paid at Frieze for a living artist.
  • GRIMM’s booth featured two other abstract works by the young-British artist Francesa Mollett. Her distorted acrylic textured paintings are inspired by nature and literature.

Tyler Mitchell at Frieze Masters

Supported by Gagosian

Tyler Mitchell Frieze Masters 2022 installation view. Source: Instagram / @tylersphotos
  • Tyler Mitchell (1995) based in Atlanta, US is the first contemporary artist invited and commissioned to show in Frieze Masters
  • His photography explores the historical connection between young-Black men and landscapes as well as beauty and Black empowerment.

Hayv Kahraman at Pilar Corrias

Booth A21

Havy Kahraman, Brain Frog, 2022, Oil on panel, 203 x 203 cm. Source: pilarcorrias.com
  • Newly completed paintings by American-Iraqi artists.
  • Kahraman fled from Baghdad to Sweden with her family during Gulf War.
  • Her work explores the transformation and dehumanisation refugee women undergo during immigration.

Shirazeh Houshiary at Lisson Gallery

Booth IN10

Shirazeh Houshiary, Uncanny, 2022. Pigment and pencil on black Aquacryl on aluminium. 190 x 190 x 5 cm. Photo by Mine Yanyali. 2022, October 14.
  • B.1955, Shiraz, Iran; lives and works in London, UK
  • Curated by Sandhini Poddar, Frieze London’s Indra Net section emanates from ancient Buddhism and Hinduism ideas to bring together artists talking about the interconnectedness of micro and macro.
  • Repetition of Arabic letters to create a pattern with an abstract and metaphysical nature.
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